My final thesis work at Maryland Institute College of Art (MICA) for the Graphic Design MFA traverses the landscape of breaking culture by investigating the intersection of movement, design practice, technology, and archiving. This visual embodiment of breaking is thoughtfully crafted in an effort to share knowledge and preserve history while at the same time revealing how to approach design practice with an authentic point of view.
My final thesis work at Maryland Institute College of Art (MICA) for the Graphic Design MFA traverses the landscape of breaking culture by investigating the intersection of movement, design practice, technology, and archiving. This visual embodiment of breaking is thoughtfully crafted in an effort to share knowledge and preserve history while at the same time revealing how to approach design practice with an authentic point of view.
Typography
Poster Design
Book Design
AR
Poster Design
Typography
Branding
Motion
Web Design
Archiving
Jennifer Cole Phillips
Ellen Lupton
Jason Gottlieb
Elaine Lopez
Annaka Olsen
Adam Garcia
Jerome Harris
This short film titled Always a B-boy was created in collaboration with my good friend and filmmaker Ryan J. Bush to tell my story about dance and the significant impact it has had on my life. This film captures the beginning of what would eventually become the seed of my thesis.
I discovered hip-hop at an early age. This discovery opened my mind to a global perspective and experience I could relate to. It had a huge impact on my life and eventually led me down the path of breaking. Breaking culture furthered my exposure to diversity and the richness of cultural self-expression. Immersing myself in this home-away-from-home—the melting pot of the dance floor—was instrumental to my personal development and eventually fueled my interest in graphic design.
My humble beginnings started at Kinkos where I used to post up all hours of the night making event flyers for breaking events. I would hand-draw letterforms, scan images from old records, and tape everything together into my desired compositions. I would then xerox them over and over again, messing with copy settings to get the highest contrast and subtle grainy textured imperfections.
I would pick the most vibrant paper on the shelf, print hundreds of copies, and spend the next day distributing them throughout the city of Portland, Oregon. It was the power of print design that drew people to these battles. It was my successful stint as a breakdance promoter that eventually sparked my interest to pursue graphic design as a career and continue to build in higher education.
For my thesis, I wanted to give back to this community that did so much for me. Throughout this body-of-work, it is my intention to narrow in on the root of what inspired me. It was my goal to study history, taking into consideration the subtleties and traditions that make breaking indisputably original, in hopes of representing what I see—a brilliant prosperous future.
For my art opening, I created an interactive poster series that would extend beyond the printed medium and incorporate interactivity. I wanted to push the traditional poster print into an augmented reality experience. I found that by utilizing Spark AR, I could seamlessly integrate with Facebook and Instagram allowing my work to be more accessible and exciting to share.
This collection of Risograph prints was designed with content I pulled through crowd participation. My method for collecting copy was pretty straight forward. I used a google form and shared it with my immediate breaking community on Facebook. In this form, I included three basic questions that I felt would stir up some solid content.
In general, people took their responses seriously. Breaking clearly meant as much to them as it means to me. I found a lot of commonalities in the answers and when pieced together, it was a universal voice I could transform into a poster series expressive and authentic to the culture.
As part of my graduate thesis work, I document all of my findings into the form of a Thesis Book. Below is a compilation of some selected spreads and a runthrough of the publication.
ADDITIONAL PROJECTS
Resilience MuralBranding, website, campaign, mural
Extend the CypherBranding, website
SmithsonianProject type
Break TapesBranding, website
Creative TheoryBranding
Google Careers on AirBranding, motion, illustration
LaunchBranding
King of WhatPoster
DC Design WeekBranding
Spin ControlBranding
Humanity MuralTypography
Samsung SalonBranding
DCEFFFestival Brand
Thrive MagazinePublication Design
Because of Her StoryBranding
America IndivisibleBranding
ThoroughTypography
TypehikeTypography
SidedoorBranding & Illustration
© 2020 Fisk Studio
Typeface
Marguerite Grotesk